The talented musician, one half of the pioneering 1980s synth-pop duo Soft Cell, has passed away at the age of 66.
Together with vocalist Marc Almond, the team achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their first record their initial full-length release is considered a classic of synth-pop.
He later founded the innovative electronic act The Grid, who achieved chart success with 1994's the hit Swamp Thing.
Ball died calmly in his sleep at his residence in London on October 22, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.
At that show, Ball performed in a mobility chair, as he had for the previous couple of years, after a spate of health issues.
"I managed to injure myself significantly," he stated in 2023. "I broke spinal bones in my spine and fractured about five ribs and fractured my wrist."
After catching a lung infection and suffering from blood poisoning, he was put in an medically-induced sleep and stayed in the hospital for seven months.
However, he had been in "a great place mentally" over the summer, as he was developing a new album with Almond, called the upcoming Danceteria, which is scheduled for release in the coming year.
"He was concentrated and so happy with the latest project that we literally finished only a short time ago," stated the vocalist in a heartfelt message.
"It's truly heartbreaking as 2026 was completely planned to be such an positive year for him, and I find comfort from the knowledge that he heard the finished record and believed that it was a great piece of work."
Almond described his bandmate as "a wonderfully brilliant creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.
"Thank you Dave for being an immense part of my existence and for the music you gave me. I wouldn't be where I am without your influence."
His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".
"Forming a partnership with someone is different from joining a group, the connection is incredibly close," he continued.
"That was the case with us. We experienced so many extraordinary, incredible, life-affirming experiences as a team. Many thanks, Dave."
Brought into the world into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was 18 months old.
He grew up in Blackpool with his new family his caregivers, who changed his first name from Paul to David, alongside his younger sister Susan, who was similarly welcomed.
He met Almond at Leeds Polytechnic in the late 70s, where they were both learning fine arts. Fuelled by a mutual passion of a music genre, they formed Soft Cell the same year, and quickly recorded an extended play.
The pair were an distinctive pairing: Ball was the reserved technician, bent over his synthesizer, while Almond was a flamboyant performer, all glitter and makeup; but they achieved a unique creative synergy.
Ball had cultivated a interest with synthesizers after viewing the band Kraftwerk perform on a television science show Tomorrow's World, and began to combine dark electronica to the soaring melodies Almond was writing.
Their signature song became the United Kingdom's second most popular song of 1981, selling 21 million units worldwide. Alongside hits by Gary Numan, contemporary bands and Ultravox, it helped cleared the way for the electronic music style of the 1980s.
The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye.
They followed the album up with the separate release, Torch, which reached at the second position in the following year.
Fame had its benefits. "I loved being able to afford my first home, having money and exploring, which might seem like a beauty queen," Ball not long ago told with a publication.
But it also caused challenges. "Sudden riches meant we could afford substances to alleviate the boredom" of media interviews and television shows, Ball explained.
"I know that's a cliché, but it's a truism for a valid cause, because it applies for so many musicians."
Amidst the hedonistic lifestyle, the duo were also growing distant, but they managed to produce a second memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.
They put out one more album, 1984's This Last Night In Sodom, before ending the group to focus on individual endeavors.
Almond proceeded to have a successful individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a enduring partnership.
Soft Cell came back together in the early 2000s, releasing the charting record Cruelty Without Beauty.
Following another break, they returned in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a farewell show at the large venue on September 30, 2018.
Yet, they remained active, recording their fifth album, Happiness Not Included, during the 2020 restrictions.
Ball recently described the duo's upcoming release as a homage to the New York club scene they visited while recording their first two albums.
He added that his time in medical care had shaped the group's music.
"I experienced unusual memories when I was in and out of the hospital because I was on morphine," he explained to a publication.
"Our latest tracks are a digital reflection of the noises in my mind from those days.
"Simultaneously, it's about the times me and Marc got up to in the 1980s."
The last versions were completed only days before Ball died. It is scheduled for launch in the spring of 2026.
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